The Best Sigma Lens For Sports Photography (Top 10 Picks)

Sigma has for some time been a most loved outdoor lens organization for being a top caliber and low cost. Regardless of whether you shoot sports photography with Canon, Nikon, Sony, or an L-Mount camera from Leica, Panasonic, or Sigma, It is really a good lens to browse and use.

Virtually every lens on this list comes from Sigma’s Art series, lenses that worked for pixel photographers who need the most sharpness with the most brilliant apertures.

Any Sigma lens for sports photography listed here has met or surpassed our assumptions.

If Sigma has an Art lens for that focal length that you need, you ought to likely add it to your pack. Sigma’s Contemporary line is more reasonable, while the Sport line is intended for, indeed, sports photography.

Here is our best sigma lens for sports photography:

Sigma 85mm f/1.4 DG HSM | Art / Sigma 85mm f/1.4 DG DN | Art

The 85mm focal length is exemplary for shooting sports pictures , and accordingly, has a rendition in each lens brand under the sun.

First of all, the f/1.4 wide aperture makes a beautiful detachment between your subject and their experience, making a surprising connection that is very stylish in sports photography today. 

The 9-sharp edge aperture makes a similar kind of natural and satisfying out-of-focus region. Having that with dazzling sharpness, you have a lens prepared to work wonders for your customers.

The Canon, Nikon, and Sigma SA mount variant is the 85mm f/1.4 DG HSM | Art while the Sony E-Mount and Sigma/Leica L-Mount are the Sigma 85mm f/1.4 DG DN | Art. 

The greatest difference between the two is the size, with the mirrorless-form being significantly more modest than the DSLR rendition. However, the quality remains as before.

The Canon, Nikon, and Sigma SA mount variant is the 85mm f/1.4 DG HSM | Art while the Sony E-Mount and Sigma/Leica L-Mount are the Sigma 85mm f/1.4 DG DN | Art. 

The greatest difference between the two is the size, with the mirrorless-just from being significantly more modest than the DSLR adaptation. The quality remains crucial as before.


  • Brilliant picture quality, splendid, and sharp delivering
  • Exceptionally quick auto-adjust
  • Accessible for all camera frameworks


  • Costly
  • Not climate verification

Sigma 20mm f/1.4 DG HSM | Art

The Sigma 20mm f/1.4 DG HSM | Art is intended to dominate in all aspects of wide-point lens capacity, from edge-to-edge sharpness to a beautiful focal length. 

While most would say that the f/1.4 aperture does not make sense for regular wide-point subjects, there are numerous occasions wherein an open aperture would suit you well.

For example, sports photographers regularly end up pressing a wide point into their pack, shooting one-of-a-kind pictures of music settings in lower-lit conditions. 

If you realize how to join the shallow depth of the field into your pictures, there is no motivation behind why you wouldn’t have any desire to pick this lens instead of whatever else.

The weight and size difference all reduces to the Sigma lens, guaranteeing that the quality of the picture is eminent. 

At a load of 950 grams (around 2 lbs), your arms will feel it over the long haul, notwithstanding, the lens is made of metal materials that can withstand an undesigned drop and harsh climate conditions. 

This is particularly helpful for landscape and astrophotographers who will in general end up in turbulent open-air conditions.

This specific 20mm lens is very well known for having special edge-to-edge sharpness, which is strange for a wide-point lens. This implies that the subjects you photo nearer to the edges of the casing will be similarly pretty much as sharp as the subjects in the middle. 

In numerous different lenses, anything shot close to the edge of the lens will be significantly gentler than sharp subjects in the center.


  • Edge-to-edge sharpness
  • Negligible barrel mutilation for this focal length
  • Splendid f/1.4 aperture
  • No chromatic distortion


  • Enormous and hefty

Sigma 50mm f/1.4 DG HSM | Art

Being a focal length that is nearest to the natural eye, the 50mm is an extraordinary lens for beginners to begin with because you don’t need to factor in any kind of mutilation when using it. Like the 85mm we talked about above, because of its ubiquity, each brand under the sun has a 50mm rendition.

This implies that Sigma needed to figure out how to make theirs better to you than the million different alternatives available. This opposition helps you, the sports photographer, win over the long haul.

First off, Sigma’s guarantee of conveying outstanding sharpness sounds valid with this lens. You won’t ever need to use the Clarity or Sharpness slider on your photograph editing program again. Talking about editing, the shading is something to note as well.

To its disadvantage, this is most likely one of the biggest 50mm lenses available but its features help compensate for that con. That being said, you may hear some pushback from road photographers (who favor the 50mm focal length) since this lens isn’t watchful.

This lens is accessible in the entirety of the mounts available: Canon EF, Nikon F, Sigma SA, Sigma L, Leica L, Sony E-Mount, and Sony A-Mount.


  • Astounding form quality
  • Extraordinary immersion of shadings
  • Quick core interest
  • The beautiful depth of field


  • The biggest 50mm lens available
  • Not great for road photographers

Sigma 35mm f/1.4 DG HSM | Art / Sigma 35mm f/1.4 DG DN | Art

Comparably great as the 50mm (but with a ring to it), the 35mm is additionally a typical focal length for a wide cluster of subjects. What makes this one unique is that the Sigma 35mm f/1.4 DG HSM | Art is Sigma’s leader lens. 

This lens is so renowned in Sigma’s setup that it’s the explanation that the Art line turned out to be so well known.

Continuing to hold the entirety of the adored highlights we’ve been referencing in the lens choices over, the Sigma 35mm f/1.4 DG HSM | Art is unquestionably the most honed 35mm lens available.

This lens additionally includes no optical mutilation, guaranteeing your subjects are proportioned appropriately and everything being equal. Not the biggest lens using any means, the 35mm is great and conveys any sports photoshoot.

The Sigma 35mm f/1.4 DG HSM | Art comes in all accessible DSLR mounts, with the recently delivered Sigma 35mm f/1.4 DG DN | Art being specifically upgraded for Sony E-Mount and Sigma/Leica L-Mount mirrorless frameworks.

The disadvantage is that the DSLR form of this lens model can make them vignetting around the edges (the edges become hazier than the middle). 

This isn’t phenomenal for this focal length, but it’s worth focusing on that this lens has this issue. The mirrorless rendition doesn’t have edge vignetting.


  • The price is good
  • No optical contortion
  • Great 35mm available today


  • Edge vignetting on the DSLR rendition

Sigma 70-200mm f/2.8 DG OS HSM | Sport

If you photograph sports, you can’t pull off not having a 70-200mm lens in your pack. Recognizing the photographers who use this zooming lens the most, Sigma delivered a ‘sport’ rendition to assist you with accomplishing your activity photography objectives.

A lens that is liberated from any kind of monstrous optical mutilation is quick, and has an exact focus, the Sigma 70-200mm f/2.8 DG OS HSM | Sport is truly great to utilize.

The greatest aperture of f/2.8 keeps your pictures splendid and shallow, disengaging whatever quick subject you are shooting. 

Pair that with the glass’ different coatings to forestall flares (those light releases that like to clean out your picture if the light source hits the lens at a point) and you truly have the ideal lens to capture split-second minutes.

The sport part of the lens truly becomes possibly the most important factor with the climate fixing, allowing this lens to shoot in any condition. 

Another new expansion to this exemplary model is the entirety of the buttons on the actual lens, allowing you to make custom presets and highlights (completely modifying the lens for your motivation). You can even change what distance the lens centers at.

It’s significant that the cost of this lens is extremely serious in contrast with other brand’s forms of it, offering a huge capture for your buck. 

The drawback is that this lens is just locally accessible for DSLR mounts (Canon, Nikon, Sigma SA) and not for any mirrorless framework. If you need it on your Sony or Leica, you will require a connector


  • Incredible climate fixing
  • Numerous custom buttons and switches on the lens barrel
  • Inherent picture adjustment
  • Calm auto-adjust


  • Significant weighty
  • DSLR selective

Sigma 35mm f/1.2 DG DN | Art

This one certainly highlights the entirety of similar advantages and then the Sigma 35mm f/1.2 DG DN | Art is a commendable magnificence.

Resulting to a most extreme aperture of f/1.2, the amplest available for an auto-adjust lens, the conceivable outcomes are huge. With full control over, without question, each part of your picture taking, this is a definitive expert photography lens.

Coming in at a more exorbitant price tag than the f/1.4, and at a bigger weight, this lens is truly equipped towards the proficient – but it will last you a lifetime. 

Nonetheless, dissimilar to the Sigma 35mm f/1.4 DG HSM | Art, this lens is just accessible in E-Mount and L-Mount and is mirrorless restrictive. The justification for this is that its features are just truly conceivable on a mirrorless framework.


  • Splendid f/1.2 aperture, amplest available
  • Aperture barrel ring
  • Incredibly tough form quality


  • Just accessible in Sony E-Mount and SIGMA/Leica L-Mount
  • Tremendous and substantial

Sigma 24-70mm f/2.8 DG OS HSM | Art

This splendid walkaround focal length is an incredible expansion for any sports photographer. The most versatile lens there is, the 24-70mm exists in all brands, so it would be not good to exclude this model in our list.

Sigma’s form of this f/2.8 is a more seasoned model on the list, but still holds Sigma’s guarantee for conveying all that can be expected. Although you can advise its age in contrast with a part of the more up-to-date alternatives, that doesn’t mean it’s a bad lens.

This is compensated for by a very serious value point, consistent functionality all through its zoom range, the expansion of picture adjustment, and its splendid dust and dirt casing. 

This implies that you can get this glass wet and messy and it’ll in any case be okay. Pair this with correspondence between the camera body and the lens, and you have exact auto-adjust that will not get spoiled in poor shooting circumstances.

With some compromise, buying this lens truly comes down to what exactly is a need for you. The benefits and alluring value make it a strong competitor in the domain of 24-70mm lenses, but you’ll need to choose if it is awesome.


  • A more seasoned model
  • Well cased
  • Versatile lens


  • Somewhat expensive

Sigma 150-600mm f/5-6.3 DG OS HSM | Sport

If you need a definitive long-range lens, this one is your friend. With an astounding focal length of 150-600mm, nothing is excessively far away to get in outline. The Sigma 150-600mm f/5-6.3 DG OS HSM | Sport is a zooming lens profession, worked for proficient use (which is the thing that lands it on our list).

Although the aperture is variable and smaller at f/5-6.3 instead of the vast majority’s inclination of an f/2.8, the aperture reduction is made up by the numerous features this lens has.

With worked-in picture adjustment (like the 70-200mm lens) and the hardest form around, this lens will experience with you to the most noteworthy of the mountains! That is after you develop the fortitude to convey 4.25 lbs in your hands.

Concerning performance, this isn’t the quickest lens available, but it does incredible for its specific focal length. Even though there are cases where it is moderate, if you’re shooting pictures on a brilliantly lit day, you’ll be totally fine. The allure is the focal reach, which is difficult to come by of this quality.

This one is just accessible in DSLR mounts locally and will require a connector if you need to use it with a mirrorless framework.


  • Climate verification design
  • Picture adjustment worked in
  • Inherent zoom lock feature
  • Manual focusing included


  • The variable aperture of f/5 – 6.3, restricting your control and obscuring your picture
  • Costly

Sigma 105mm f/2.8 EX DG OS HSM | Macro

Effectively transforming any subject into something fascinating, large-scale lenses have a stunning magnification that can rejuvenate even the most unremarkable thing. 

The Sigma 105mm f/2.8 EX DG OS HSM | Macro allows you to capture even the most little objects in clear accuracy, and you will not have to stand exceptionally near your subject.

This lens is viewed by sports photographers as a lens that ‘has no cons’, just pros. The Sigma 105mm f/2.8 EX DG OS HSM | Macro is additionally the absolute first Sigma large scale lens to include picture adjustment, allowing faintly lit subjects to be effectively captured. 

This lens is completely climate fixed, allowing it to be used outdoors easily. There is a significant decrease in vignetting in this model when contrasted with cutthroat brands, and the sharpness is even at its vastest f/2.8 aperture.

If auto-adjust isn’t doing what you need for the more modest subjects, there is a full-time manual focusing incorporated into the lens.

Accessible just for Canon and Nikon, this lens is quite select to two DSLR lines.


  • Picture adjustment worked in (a first for the full scale)
  • Completely climate fixed
  • Focus limiter
  • Full auto-adjust and full-time manual focus abrogate


  • Not accessible for mirrorless cameras

Sigma 65mm f/2 DG DN | Contemporary

The smallest (and most economical) lens on our list, the brand new Sigma 65mm F/2 DG DN | Contemporary is important for Sigma’s Contemporary Series; small and amazing lenses are exceptionally created for mirrorless frameworks.

One of the benefits of this Sigma 65mm F/2 DG DN | Contemporary is that it is sufficiently long for you to not impact the occasion, you are taking what is there. This is an incredible benefit for sports photography. 

The f/2 aperture allows a lot of light to come at the sensor, coming about in velvety bokeh while keeping a profound enough focal plane to capture the main highlights, like your subject’s whole face.

This lens is created out of sensibly intense material. In any case, being a Contemporary lens and keeping the sticker price sensible, a few changes must be made.


  • Great cost for the quality
  • Little, minimized, and lightweight
  • Incorporates an attractive lens cap
  • Specifically intended for mirrorless frameworks
  • Aperture control ring on the lens barrel


  • Mirrorless restrictive
  • No climate fixing



Sigma lenses for sports photography have consistently been an incredible choice for those needing to get a good deal on their stuff, but the Art series has genuinely demonstrated itself to be a contender in the realm of star lenses.

The form quality, special optics, and incredible performance of every Sigma Art lens joined with their sensible sticker prices make them truly worth a look.