The new 10-20mm is an organization’s super wide-angle zoom arrangement for DX (APS-C) DSLRs. While the new 10-20mm zoom doesn’t have a good gap range and does not offer zoom versatility, it costs almost $600 less.
It includes new AF-P auto-adjust technology, which guarantees fast and calm AF operation. For simply more than $300, you may not anticipate much via optical functionality, yet don’t allow its cost to trick you. The 10-20mm VR lens ends up being noteworthy in reality.
A 10-20mm Nikkor lens is ideal for travelers who enjoy taking pictures of ancient landscapes and memorable locations. The 10-20 lens comes with an ultra-wide-angle capability, which makes it the perfect lens for capturing everyone in a large group and making sure each individual appears in the shot.
Why would you require a 10-20mm zoom lens?
Indeed, because it offers a genuinely wide angle of view that you can’t keep using the lens that accompanied your camera since its angle of view is more expensive than what the eye can see.
Numerous DSLR cameras accompany the lens like an 18-55mm, 18-140mm zoom, or even 18-300mm zoom. These lenses are versatile; however, in the wake of shooting with one for some time, you may discover that you need to have the option to shoot a broader perspective on a scene than the lens will allow.
Since this is a P series lens, its smooth venturing motor downplays focus disturbance when shooting video.
The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR lens can go as wide as a stunning 10mm angle of view. Pictures are amazingly sharp, even at the frames. Another feature of the lens is that it allows you to get as close as 8.6 creeps to your subject for dramatic-looking photos.
This implies you can get so near your subject that it can fill the frame — looking bigger than different objects behind the scenes that might be similar.
Slant the lens down and incorporate a more significant amount of the forefront; slant the lens up and fill the frame with the sky.
You can exaggerate the viewpoint of structures or straight lines in a scene by utilizing the 10-20mm lens since it’s a wide field of view, which means it’s much more than the kit lens that accompanied your camera.
The Vibration Reduction (VR) is incorporated into this lens. VR is picture stabilization, which will assist you with getting photographs when you’re hand holding the camera.
If you love traveling and taking pictures of landscapes or cityscapes, then the 10-20mm lens may be what you’re looking for. A super wide-angle lens is likewise ideal for taking pictures of a large gathering of individuals since they allow you to remain nearby the meeting and still have everyone in.
Do you like taking photographs of your interior?
A super wide-angle will allow you to capture a whole room in a single shot, and if space is on the modest size, you can make pictures that you would not have the option to create with a more drawn-out focal length lens.
Wide-angle lenses are frequently the selection of photojournalists since they can capture a subject in their current circumstance and have the option to tell a story with a single picture. If you appreciate reporting the life around you, the 10-20mm zoom may be a decent decision.
An excellent method to use the focal ability of the 10-20mm lens is to get close to the subject to the point that what is nearest to the camera is exaggerated and looks incredible. Depending on your subject, this can accentuate a bit of the picture or make it look colossal when contrasted with the remainder of the subject.
10-20mm is one of the three existing DX lenses featuring the new AF-P abbreviation, alongside the Nikkor 18-55mm and the inspected Nikkor 700-300mm fax zoom lens. In summer 2017, Nikon additionally released the main FX AF-P 70-300mm fax zoom lens.
AF-P represents another type of technology – a venturing focus motor. The new lenses featuring AF-P abbreviation acquired an excellent reputation among photographers for their quick focusing capacity, low weight but perfect optical functionality.
Construction and Feel
Tipping the scales at 8.2 ounces (230 grams), the new Nikon 10-20mm AF-P lens is very lightweight. It is 2.8 inches (73 millimeters) in length with an extreme width of 3 inches (77 millimeters) with a 72mm channel string.
The lens changes its length marginally as you work through the zoom range, and the difference between its most brief and most extended length is negligible, about a large part of an inch (10 millimeters).
The 10-20mm lens is even and feels very much developed given its value point. It’s a weather-fixed lens, and there is an elastic gasket around the lens mount, and it feels firm and should stand up well to most ordinary shooting conditions.
It is built using plastic, which helps hold the load down, yet it’s not as powerful as more costly, heavier Nikon lenses.
The AF-P line is just compatible with the latest Nikon DSLR bodies. It implies the number of cameras usable with the lens is restricted.
This is the way Nikon specifies this by grouping cameras in three subsets:
- Completely compatible models: For compatible cameras, firmware updates might be required. Completely compatible models are: D7500, D5600, D5500, D5300, D3400, D3300, D500 and later models.
- Compatible models with restricted capacities: D5, D810 series, Df, D750, D7200, D7100, D5200, Nikon 1 series with the FT1.
- Incompatible models: D4 series, D3 series, D2 series, D1 series, D800 series, D700, D610, D600, D300 series, D200, D100, D7000, D5100, D5000, D90, D80, D70 series, D3200, D3100, D3000, D60, D50, D40 series, film cameras.
I have tried this lens on Nikon DSLR bodies D5300, D7100, and D750 – all worked great. Then again, with D7100 and D750, I couldn’t turn off the VR work.
I have additionally tried this lens on my more seasoned Nikon DSLR D7000 (featured by Nikon as an incompatible model), and it doesn’t work. Since the focusing is entirely electronic, you can’t use manual focusing.
The picture in the viewfinder stays constantly obscured, regardless of how you turn the focus ring. Avoid this lens once you have an old body and plan to stay with it.
Lens Handling and Features
The new Nikon Nikkor 10-20mm is minuscule and very light. It weighs just 230 grams! It would help if you got this lens into your hand to trust it. Seeing it interestingly, I thought this should be rather some CX lens (Nikon 1 mirrorless framework). However, this is undoubtedly a DX lens (which likewise functions admirably on an FX body).
Nikon figured out how to decrease the size significantly in all-new AF-P lenses incompletely by skirting the AF-A/M, AF-M, and VR on/VR off switches. Contrasted with its principle archetype – the Nikkor 10-24mm AF-S (non-VR lens) – this new small lens features a more restricted scope of 10-20mm (2x zoom ratio contrasted with past 2,4x ratio).
As far as 35mm format equivalent, this relates to 15-30mm. I tracked down the past 2,4x territory more reasonably. Yet, regardless of whether the 4mm difference on wide-angle lenses is recognizable, I can live with such a trade-off if the advantage is a much-decreased weight and size.
That is actually where this lens sparkles. Concerning the missing 4 mm, light editing can compensate for more limited zoomed-in central reach with the expanding thickness of pixels on DSLR cameras.
The front 72mm channel string is by a wide margin the most significant piece of the lens. It moves while zooming by about 10mm. Additionally to the more seasoned 10-24mm adaptation, the lens barrel is most limited at about 15mm.
When zooming to the two closures, it fills long. The lens is about 73mm long. The remainder of the lens body is about 58mm wide, generally a similar size as the catch retractable kit 18-55mm AF-P lens.
A slim manual focusing ring is usable both in the auto-adjust (AF) and manual focus (MF) mode. It would help if you used the DSLR interior menu for exchanging those modes, and there is no mechanical button/switch.
This lens permits you to supersede auto-adjust by essentially rotating the focusing ring – any time. I track down this exceptionally conveniently and helpfully. The zoom ring is adequately wide and simple to operate with 10, 12, 14, 16, and 20mm imprints marked.
Given the restricted 2x zoom ratio, there isn’t a remarkable development expected to zoom from 10mm to 20mm. The lens features just a plastic barrel. As far as I might be concerned, this is no issue by any means. Given how small and light the lens is, a metal barrel would be a needless tool.
There are 14 components in 11 groupings, including three aspherical elements. How Nikon figured out how to put all the glass components, including VR decrease, into a notably minuscule body is a riddle to me.
The stomach involves seven adjusted cutting edges. See what it applies in the section on “flare and the front-light taking care of.” This lens accompanies HB-81 Bayonet Lens Hood.
Since it is a variable opening lens, the focal length on it changes as you zoom in from f/4.5 to f/5.6 on the long end:
- 10 mm – f/4.5
- 11 mm – f/4.8
- 13 mm – f/5
- 15mm – f/5.3
- 18,5mm – f/5,6
Contrasted with the past DX wide-zoom 10-24mm AF-S G and the considerably more seasoned DX 12-24mm AF-S G, this new form offers a more slow gap at the wide end (f/4.5 rather than f/3.5). For landscape photography use, this has scarcely any effect.
The single observable difference of 0, 7 EV may be in indoor-activity photography or astrophotography, yet neither of the DX Nikon lenses will work effectively.
You have to try not to shoot in heavy rainfall and dusty conditions. Then again, I was going for about fourteen days to the Canary Islands, where a spell of breezy conditions brought a great deal of sand from the Sahara, and I didn’t see that any residue/sand would get into the lens.
The 10-20mm AF-P is a lightweight and henceforth super compact wide-angle-zoom lens. It offsets pleasantly with passage level harvest sensor DSLRs (DX-format) like D3400 or D5600, just as with the more significant semi-proficient bodies, like D7500 or D500.
Focus Acquisition Speed and Accuracy
Nikon’s “P” series of NIKKOR lenses use venturing engines to focus smoother and calmer than past drive frameworks. This peaceful drive framework makes the lenses ideal for use when shooting video.
Without a doubt, the genuine shooting experience shows that this lens concentrates silently, accurately, and dependably. In my new survey, I have effectively lauded the DX 70-300 tele zoom for the quick and silent focusing abilities of the new AF-P venturing engine.
The wide-angle is just a smidgen slower, yet not at all like in tele reach; in wide-angle focal reach speed isn’t so urgent. This lens generally concentrates 30% quicker than the more established 10-24mm lens. Shining in low-light with D5300 was no issue with the same device.
Manual abrogates a decent feature to have if you are shooting under challenging conditions. You would then assist the lens with “finding” the right reach and make it snap the core interest.
In any case, this same old thing, manual supersede, has been featured in the vast majority of the new Nikkor lenses – aside from the least expensive one.
The Nikon 10-20mm AF-P allows a most excellent magnification of 0.17x at the nearest focusing distance of 0.22m or 0.8 feet.
Even though one should acclaim Nikon for planning a quicker and the entire silently focusing lens, I understood, however, that in combination with the missing on-the-lens switch, I encountered some frustrating minutes.
When shooting with the passage level D5300 body, I regularly needed to pick a manual focus (in camera body setting) while at the same time making a few displays. As a matter of first importance, doing this in-camera menu takes longer (don’t underestimate how pivotal this may be in some minutes).
Quicker and disturbance less focusing has its disadvantages likewise. One can undoubtedly lose the past propensity for controlling focus securing by short yet apparent and discernible pulling together interaction.
The AF-P lenses are different in this perspective, and you don’t see when it obtained the proper focus as it did with the more established lenses. So focus on various indicators. In any case, if I could, I wish I had the adaptation with both AF-S/AF-M switches.
This versatile lens dominates at shooting far-reaching skylines and offers a strikingly close working distance that’s helpful for pictures or appearing close subtleties when making item-related recordings.
To draw nearer to capture small objects with immense subtleties, the lens has a nearby least focusing distance of just 8.6 inches (0.22 meters), rejuvenating small items in brilliant size.
Anticipate much via optical functionality, yet don’t allow its cost to trick you. The 10-20mm VR lens ends up being noteworthy in reality.